• STUART BRISLEY, The Game, 1969

    Art Brussels 2012

    http://www.artbrussels.be

    http://thisisexile.com

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  • STUART BRISLEY, Jerusalem, 2010–2011

    Solo show at Exile/Berlin

    http://thisisexile.com

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  • STUART BRISLEY, A New Film: Next Door (The Missing Subject), 28 February – 21 April 2012

    A New Film: Next Door (The Missing Subject)

    PEER
    99 Hoxton Street, London N1 6QL
    www.peeruk.org

    Direction and Sound: Stuart Brisley
    Camera: Chris Dorley-Brown
    Editor: Stephen Connolly

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  • STUART BRISLEY, Being and Doing, 1984

    Spirits of Internationalism: 6 European collections, 1956–1986

    Van Abbemuseum Eindhoven and M HKA Antwerp   The title of this third exhibition is Spirits of Internationalism, which reflects the tension between the international (with its promises of a better world, but also with overtones of political and cultural hegemony) and the various regional and local art milieus represented in the L’Internationale project. Like the other exhibitions in this series it covers the period 1956–1986, characterised by the bipolarity of the Cold War and

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  • STUART BRISLEY, Document Performance, Galerie Exile, 2011

    Document Performance

    Group show, Exile, Berlin

    http://thisisexile.com/

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  • STUART BRISLEY, Untitled, 1961–62, Henry Moore Institute, Leeds Museums and Galleries

    United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s

    The Henry Moore Institute Leeds United Enemies looks at sculpture made by artists in Britain during the 1960s and 1970s, a time when the idea of sculpture was being radically contested. Curator Jon Wood looks at this highly fertile and experimental period, focusing on the dramatic changes in our understanding of the medium that occurred. Aside from the institutional contests and rivalries of the time, the exhibition invites us to think retrospectively about shared

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  • STUART BRISLEY, Ending Imperfect (A Provisional Title), 2011, Performance at Modern Art Oxford

    SOLO at Modern Art Oxford

    STUART BRISLEY Ending Imperfect – A Provisional Title  in SOLO at Modern Art Oxford     Performance: Saturday 26 November 2011, 4—8pm   A new performance for SOLO, a weekend of performances curated by Brian

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  • STUART BRISLEY, Arbeit Macht Frei (still), 1973

    Arbeit Macht Frei film screening and talk

    Tate Britain, Auditorium

    Friday 7 October 2011, 19:10–20:00

    Film screening and discussion with Catherine Wood, Curator, Contemporary Art/Performance, Tate Modern

    http://www.tate.org.uk/britain/

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  • STUART BRISLEY, Chair, 2011 (1996)

    Museum Show

    The Apparatus: Arnolfini 50th Anniversary Programme www.arnolfini.org.uk Throughout 2011, to mark our 50th anniversary, Arnolfini will be exploring a year-long theme entitled The Apparatus. This series of 'experimental blockbusters' will focus on the conditions of the art world today, particularly its systems of belief and valuation, its role within society, and its relationship to the wider political economy. The Apparatus is about the 'makings of' artists, of artworks, of

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  • STUART BRISLEY, The Collection of Ordure, 2002

    Soft Machines

    The Pace Gallery
    545 W 22nd St
    New York
    www.thepacegallery.com

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  • STUART BRISLEY, Beneath Dignity, 1977

    Has The Film Already Started

    Performance in Context: 1969–1977

    Tate Britain

    www.tate.org.uk

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  • STUART BRISLEY, Prenzlauerberg, 1990

    Stuart Brisley receives the 2011 Bryan Robertson Award

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  • STUART BRISLEY, ZL636595c, 1972

    British Art 1500–2011

    British Art 1500–2011

    Art for Whom? in Gallery 5, Tate Britain

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  • Goodbye London - Radical Art and Politics in the Seventies

    Goodbye London - Radical Art and Politics in the Seventies

    At Motorenhalle, Projektzentrum für zeitgenössiche Kunst, Wachsbleichstr. 4a, D-01067 Dresden

    22 March – 29 April 2011

    www.motorenhalle.de

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  • A Life in Art: Monika Kinley

    A Life in Art: Monika Kinley

    Exhibition at Plymouth Arts Centre with work by artist friends of Monika Kinley.

    11 March – 1 May 2011

    www.plymouthartscentre.org

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  • STUART BRISLEY, Installation at Algus Greenspon, 2011

    Solo show at Algus Greenspon, New York

    Solo show at Algus Greenspon, New York

    12 March – 23 April 2011

    http://www.algusgreenspon.com

    Click here to read review in New York Times, 8 April 2011

     

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  • Modern Mondays Talk, MoMA New York

    Modern Mondays Talk, MoMA New York

    Modern Mondays Talk, MoMA New York   14 March 2011   Museum of Modern Art: 11 West 53 Street, New York, NY

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  • Modern British Sculpture, Royal Academy of Arts

    Modern British Sculpture, Royal Academy of Arts

    Modern British Sculpture, Royal Academy of Arts   2011 will mark the thirtieth anniversary of the last exhibition to examine British sculpture of the twentieth century.   British Sculpture in the Twentieth Century was staged at the Whitechapel Art Gallery twenty years before the century had even ended, and it is even longer since the Royal Academy last devoted its Main Galleries exclusively to a survey exhibition of sculpture, British Sculptors ‘72. 

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  • STUART BRISLEY, You Know it Makes Sense (with reference to allegations made against the British Army in Ulster concerning torture), 1972

    This Could Happen To You - Ikon in the 1970's

      This Could Happen To You - Ikon in the 1970's   This summer Ikon presents the second chapter in its history; a survey of the artistic programme from 1970 to 1978. This follows the 2004 exhibition Some of the best things in life happen accidentally: the beginning of Ikon. Works by thirty-two artists are displayed throughout the galleries, supplemented by installations at Ikon Eastside and the Pallasades Shopping Centre. Political commitment was important to many artists of the

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  • STUART BRISLEY, Arbeit Macht Frei, 1973

    Goodbye London - Radical Art and Politics in the Seventies

    Goodbye London - Radical Art and Politics in the Seventies   The exhibition focuses on the political culture of the 1970s in London and the UK. Against the backdrop of economic decline the country developed into a vital, politicized art scene, which took time and again in a temporary home to empty houses that have been given a new lease of up to 30,000 squatters. It created art and film collectives, to property speculation, the escalation of the conflict in Northern Ireland, the strikes

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  • STUART BRISLEY, The Last Breath, 2006 - 2010

    Super Farmers' Market

    A new work, The Last Breath is presented for the first time. Organised by Handel Street Projects. The video The Last Breath is the culmination of four performances under the title The Last Breath. The subject is derived from memories of two experiences of approaching death. The first was at Speakers Corner in 1967, when a speaker spoke of his immanent death. The other is derived from being the sole witness to a man burning to death in an East London park in 1998. In December 2006 a

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  • STUART BRISLEY, Installation views at Galerie Exile, 2010

    Solo show at Exile/Berlin

    Solo exhibition at Exile, Berlin. For further information please visit: www.thisisexile.com/project_sbrisley Exhibition Dates:12 June - 10 july 2010 ExileAlexandrinenstr 4, HH D-10969 Berlin Thursday - Saturday   12 - 6 pm and by

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  • STUART BRISLEY, Next Door (The missing subject)

    Next Door (The Missing Subject)

    Stuart Brisley has made performances, installations, public interventions, films, videos, drawings, photographs and paintings for over 50 years.  To mark PEER’s acquisition of the lease on 97 Hoxton Street, which will enable the organisation to expand into next door, Brisley will take up temporary residence amongst the trash and pandemonium of the former shop. Adopting the persona of RY Sirb, Brisley’s Curator of the Museum of Ordure, he will investigate and interrogate

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  • STUART BRISLEY, Pig Wars, 2008

    Modern Times: responding to chaos

    Modern Times: responding to chaos, Kettle's Yard   An Exhibition of drawings and films selected by Lutz Becker, the show will be traveling to the De la Warr Pavilion. It includes Stuart Brisley's drawing Pig Wars, 2008 Exhibition Dates: Kettle's Yard 16th January - 14th March 2010Castles Street Cambridge CB3 OAQ Open: Tuesdays- Sundays 11.30-5pm De la Warr Pavilion April – 13 June 2010BexhillEast Sussex TN40 1DP Open: 10am to 5pm (Monday to Friday) and 10am to 6pm

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  • STUART BRISLEY, Ten Days, 1973-74

    100 Years (version #2, ps1, nov 2009)

      100 Years (version #2, ps1, nov 2009)   P.S.1 Contemporary Art Center/MOMA and Performa 09 announce 100 Years (version #2, ps1, nov 2009), an exhibition presenting influential moments in the past century of performance art history. With over 200 works including film, photography, documents, and audio, 100 years presents a wealth of information that is largely unknown and is intended as an archive for students, scholars, and enthusiasts of the history of performance art. A

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