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Contexts 2013 - 3rd International Sokolovsko Festival of Ephemeral Art28 July – 1 August 2013 Fundacja Sztuki Współczesnej "In Situ"In Situ Contemporary Art
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XV Interakcje Festival
MOCAK Museum of Contemporary Art Krakow
May 2013 -
Stuart Brisley chairs Afterall Film Club
Afterall Film Club
Stuart Brisley chairs Afterall Film Club
Thursday 18 April 2013
18.20–21.00http://www.afterall.org/events/afterall-film-club-stuart-brisley
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Re-Performance. Between Performance and Photography
Re-Performance. Between Performance and Photography
BWA Sokół, Nowy Sącz, Poland
22 March – 21 April 2013 -
Stuart Brisley: PhotographsGallery 2 Mummery+Schnelle44a Charlotte RoadLondonEC2A 3PD 6–28 March 2013 Stuart Brisley’s work moves between art contexts and social ones. It is addressed to the politics of consumption, class relations and authority. Brisley is best known as a key figure in British performance art, but what deserves to be better recognized is the importance of painting, photography and drawing to his practice, and how his work in these media contribute to a more wide
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A Bigger Splash: Painting after Performance Panel Discussion
A Bigger Splash: Painting after Performance Panel DiscussionTate Modern, Starr AuditoriumFriday 1 March 2013, 15.00–17.00£15, concessions available, tickets include entry into exhibition This panel discussion draws on the debates around the relationship between painting and performance raised by Tate’s current major exhibition A Bigger Splash: Painting after Performance. Opening with Jackson Pollock and David Hockney, it approaches how new art practices led to an expansion of
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National Martime Museum: At the Water's Edge Film Festival
National Martime Museum: At the Water's Edge Film FestivalRomney Rd, Greenwich SE10 9NF 23–24 February 2013 A response to Ansel Adams: Photography from the Mountains to the Sea exhibition.Film programme curated by Sukhdev Sandhu, Bryony Dixon and Amy Watson.Estonia will be shown as part of this
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Stuart Brisley: Selected Works 1969–2009
Stuart Brisley
Selected Works 1969-2009at
Mummery + Schnelle
83 Great Titchfield Street, London W1W 6RH
+44 20 7636 7344
13–17 November 2012
Private view: Thursday 15 November, 6-8pm
Mummery + Schnelle and Domo Baal are pleased to announce the joint representation of the work of Stuart Brisley. -
A Bigger Splash: Painting after Performance Art
A Bigger Splash: Painting after Performance Art14 November 2012 – 1 April 2013 Click here to read review in The GuardianNovember 2012 Click here to read review in The TelegraphNovember 2012 Click here to read review in This Is Tomorrow magazineDecember 2012 Tate Modern A Bigger Splash will take a new look at the dynamic relationship between performance and painting from 1950 to the present day. Taking its title from David Hockney’s iconic 1967 image of a Californian
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Moral Holiday18 October 2012 – 12 January 2013 Northern Gallery forContemporary ArtCity Library and Arts CentreFawcett StreetSunderland SR1 1REwww.ngca.co.uk Artists include: Bruce Nauman, Valie Export, Paul McCarthy and Mike Kelley, Gordon Matta-Clark, Abel Abidin, Stuart Brisley, Ben Vautier, David Shrigley, Phil Collins, Ryan Gander, Murray Ballard, Martin Kellett, Darren Cullen, Teal Griffin, Sara Punshon, Rafael Rozendaal, Nicholas Keogh, Clarita Lulic, Marjolaine Ryley, Max
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Models and the Every Day, Stuart Brisley talk at Muzeum Sztuki in Łódź, Poland
Models and the Everyday
Stuart Brisley talk at Muzeum Sztuki in Łódź, Poland
27 September 2012
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Unexpurgated 135 Chapters of Moby DickOnline project One chapter per day starting 16.09.12 Press Release13 September 2012 Stars have a whale of a time on Moby-Dick project @ www.mobydickbigread.com An ambitious project designed to bring a literary classic to the attention of a new generation of fans is nearing completion. The Moby-Dick Big Read has been two years in the making and will run for more than three months from its launch on 16 September at the Plymouth International Book
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Parallel Universes: 1970–198524 July – 4 August 2012 The Block GalleryQUT Creative Industries PrecinctBrisbane, AustraliaParallel Universes: 1970 – 1985, explores historic video art and the specific vernacular developed at different geographic locations: Australia, U.S.A., U.K. and Japan. The exhibition will explore the commonalities and differences, within broad conceptual frameworks, between the works produced in these regions. The impetus for this show has come about from
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Bomb Culture BFI South Bank 6 July 2012, 6:20 PM 11 July 2012, 6:20 PM Click here for more information and to book tickets Programme Colour Poems (1974 UK. Directed by Margaret Tait. 12min) Bang! (1967 UK. Directed by Bob Godfrey. 8min) Speak (1962 UK. Directed by John Latham. 10min) Meatdaze (1968 UK. Directed by Jeff Keen.10min) O Dreamland (1953 UK. Directed by Lindsay Anderson. 11min) How to Have a Bath (1971 UK. Directed Bruce Lacey & Jill Bruce. 5min) Arbeit Macht
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ELAA European Live Art Archive interview with Stuart Brisley
Click here for the complete audio of the Stuart Brisley interview. Interviewed by Brian Catling. Stuart Brisley is a seminal internationally renowned artist whose experimental work has shaped and evolved contemporary visual intelligence for the last fifty years. He has been called the ‘Godfather of British performance art’, but his influence has never been contained inside a single field of expertise. He is also a painter, sculptor, writer, sound artist, film and video
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Click here to read the review in Handelsblatt
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Seminar on Performance, University of Basel
Performance Studies, Department of Art History, University of Basel Seminar on Performance Art and it's trans-generational transmission, including documentation and archiving. 29 March 2012 19.15 hours Kunsthistorisches Seminar der Universität Basel St. Alban-Graben 8,
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Click here to read review in White Hot Magazine March 2012 http://thisisexile.com Mar 24 - Apr 29, 2012 Stuart Brisley Exile cordially invites you to the second solo exhibition of influential British artist Stuart Brisley. Following his 2010 inaugural gallery exhibition entitled Measurement and Division, which also was Brisley's first solo exhibition in Germany in over 20 years, his second exhibition now focuses on a rather unexpected perspective of Brisley's work and will
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A New Film: Next Door (the missing subject)
Tuesday 24 April: Stuart Brisley in conversation with Charles Esche.Click here to listen to the mp3 recording of the event. Click here to read review in Art MonthlyApril 2012 Click here to read review by Paul Hobson, Contemporary Arts SocietyApril 2012 PEER 99 Hoxton Street, London N1 6QL www.peeruk.org Direction and Sound: Stuart Brisley Camera: Chris Dorley-Brown Editor: Stephen Connolly Forthcoming event: Tuesday 24
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Spirits of Internationalism: 6 European collections, 1956–1986
Van Abbemuseum Eindhoven and M HKA Antwerp The title of this third exhibition is Spirits of Internationalism, which reflects the tension between the international (with its promises of a better world, but also with overtones of political and cultural hegemony) and the various regional and local art milieus represented in the L’Internationale project. Like the other exhibitions in this series it covers the period 1956–1986, characterised by the bipolarity of the Cold War and
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Group show, Exile, Berlin
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United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s
The Henry Moore Institute Leeds United Enemies looks at sculpture made by artists in Britain during the 1960s and 1970s, a time when the idea of sculpture was being radically contested. Curator Jon Wood looks at this highly fertile and experimental period, focusing on the dramatic changes in our understanding of the medium that occurred. Aside from the institutional contests and rivalries of the time, the exhibition invites us to think retrospectively about shared
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STUART BRISLEY Ending Imperfect – A Provisional Title in SOLO at Modern Art Oxford Performance: Saturday 26 November 2011, 4—8pm A new performance for SOLO, a weekend of performances curated by Brian
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Arbeit Macht Frei film screening and talk
Tate Britain, Auditorium
Friday 7 October 2011, 19:10–20:00
Film screening and discussion with Catherine Wood, Curator, Contemporary Art/Performance, Tate Modern
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The Apparatus: Arnolfini 50th Anniversary Programme www.arnolfini.org.uk Throughout 2011, to mark our 50th anniversary, Arnolfini will be exploring a year-long theme entitled The Apparatus. This series of 'experimental blockbusters' will focus on the conditions of the art world today, particularly its systems of belief and valuation, its role within society, and its relationship to the wider political economy. The Apparatus is about the 'makings of' artists, of artworks, of
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The Pace Gallery
545 W 22nd St
New York
www.thepacegallery.com -
Performance in Context: 1969–1977
Tate Britain
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British Art 1500–2011
Art for Whom? in Gallery 5, Tate Britain
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Goodbye London - Radical Art and Politics in the Seventies
At Motorenhalle, Projektzentrum für zeitgenössiche Kunst, Wachsbleichstr. 4a, D-01067 Dresden
22 March – 29 April 2011
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Exhibition at Plymouth Arts Centre with work by artist friends of Monika Kinley.
11 March – 1 May 2011
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Solo show at Algus Greenspon, New York
Solo show at Algus Greenspon, New York
12 March – 23 April 2011
Click here to read review in New York Times, 8 April 2011
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Modern Mondays Talk, MoMA New York
Modern Mondays Talk, MoMA New York 14 March 2011 Museum of Modern Art: 11 West 53 Street, New York, NY
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Modern British Sculpture, Royal Academy of Arts
Modern British Sculpture, Royal Academy of Arts 2011 will mark the thirtieth anniversary of the last exhibition to examine British sculpture of the twentieth century. British Sculpture in the Twentieth Century was staged at the Whitechapel Art Gallery twenty years before the century had even ended, and it is even longer since the Royal Academy last devoted its Main Galleries exclusively to a survey exhibition of sculpture, British Sculptors ‘72.
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This Could Happen To You - Ikon in the 1970's
This Could Happen To You - Ikon in the 1970's This summer Ikon presents the second chapter in its history; a survey of the artistic programme from 1970 to 1978. This follows the 2004 exhibition Some of the best things in life happen accidentally: the beginning of Ikon. Works by thirty-two artists are displayed throughout the galleries, supplemented by installations at Ikon Eastside and the Pallasades Shopping Centre. Political commitment was important to many artists of the
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Goodbye London - Radical Art and Politics in the Seventies
Goodbye London - Radical Art and Politics in the Seventies The exhibition focuses on the political culture of the 1970s in London and the UK. Against the backdrop of economic decline the country developed into a vital, politicized art scene, which took time and again in a temporary home to empty houses that have been given a new lease of up to 30,000 squatters. It created art and film collectives, to property speculation, the escalation of the conflict in Northern Ireland, the strikes
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A new work, The Last Breath is presented for the first time. Organised by Handel Street Projects. The video The Last Breath is the culmination of four performances under the title The Last Breath. The subject is derived from memories of two experiences of approaching death. The first was at Speakers Corner in 1967, when a speaker spoke of his immanent death. The other is derived from being the sole witness to a man burning to death in an East London park in 1998. In December 2006 a
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Solo exhibition at Exile, Berlin. For further information please visit: www.thisisexile.com/project_sbrisley Click to read reviews in:ARTslanT Berlin, 12 June 2010Monopol, 23 June 2010Welt Am Sonntag, 27 June 2010Aesthetica Magazine, 1 August 2010 Exhibition Dates:12 June - 10 july 2010 ExileAlexandrinenstr 4, HH D-10969 Berlin Thursday - Saturday 12 - 6 pm and by
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Next Door (The Missing Subject)
Stuart Brisley has made performances, installations, public interventions, films, videos, drawings, photographs and paintings for over 50 years. To mark PEER’s acquisition of the lease on 97 Hoxton Street, which will enable the organisation to expand into next door, Brisley will take up temporary residence amongst the trash and pandemonium of the former shop. Adopting the persona of RY Sirb, Brisley’s Curator of the Museum of Ordure, he will investigate and interrogate
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Modern Times: responding to chaos
Modern Times: responding to chaos, Kettle's Yard An Exhibition of drawings and films selected by Lutz Becker, the show will be traveling to the De la Warr Pavilion. It includes Stuart Brisley's drawing Pig Wars, 2008 Exhibition Dates: Kettle's Yard 16th January - 14th March 2010Castles Street Cambridge CB3 OAQ Open: Tuesdays- Sundays 11.30-5pm De la Warr Pavilion April – 13 June 2010BexhillEast Sussex TN40 1DP Open: 10am to 5pm (Monday to Friday) and 10am to 6pm
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100 Years (version #2, ps1, nov 2009)
100 Years (version #2, ps1, nov 2009) P.S.1 Contemporary Art Center/MOMA and Performa 09 announce 100 Years (version #2, ps1, nov 2009), an exhibition presenting influential moments in the past century of performance art history. With over 200 works including film, photography, documents, and audio, 100 years presents a wealth of information that is largely unknown and is intended as an archive for students, scholars, and enthusiasts of the history of performance art. A